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Choral Unison
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Sheetmusic to print
13 sheet music found
<
1
Do Nothing Till You Hear from Me: Vocals
Do Nothing Till You Hear from Me: Vocals
#
Jazz
#
Bob Russell and Duke Ellington
#
Victor Lopez
#
Do Nothing Till You Hear from
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017493_VOC Vocals. Composed by Bob Russell and Duke Ellington. Arranged by Victor Lopez. Jazz. Part. 2 pages. Alfr...
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Jazz Ensemble - SKU: AX.00-PC-0017493_VOC Vocals. Composed by Bob Russell and Duke Ellington. Arranged by Victor Lopez. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017493_VOC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017493_VOC). UPC: 038081519425.Do Nothing Till You Hear from Me is a great standard arranged by Victor LA3pez for vocalist and big band. The easy swing feel tempo is 96 BPM, the vocal range is A-flat below middle C up to B-flat third line. The lead trumpet range is to written F top line. A fine chart and very playable for any band. (3:15).
$3.00 ≈
2.80€
In paradisum from Requiem Songs (Downloadable Choral/Full Score)
In paradisum from Requiem Songs (Downloadable Choral/Full Score)
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String Orchestra
#
INTERMEDIATE
#
David Conte
#
In paradisum from Requiem Song
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - SKU: MQ.8103-E Composed by David Conte. 9/11 Service, Funera...
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Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - SKU: MQ.8103-E Composed by David Conte. 9/11 Service, Funeral. Instrument part. 8 pages. Duration 12 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8103-E. Published by E. C. Schirmer Music Company - Digital (MQ.8103-E). Latin.Commissioned by the American Music Research Center, Boulder, Colorado, Thomas Riis, director, in loving memory of Don Campbell. The work received its premiere performance at l’Église de la Sainte-Trinité, Paris, on October 24, 2013 by Alexis Galpérine, violin, Magali Léger, soprano, Saori Kikuchi, harp, and Carolyn Shuster Fournier, organist. The work consists of three Latin texts from the Requiem Mass. The first, Exaudi, is in “Larghetto” tempo and serves as a prelude. The second, Dies Iræ, marked “Allegro agitato,” is an intense and dark scherzo in D minor with chromatic runs in the organ and violin which accompany the soprano. A central, more lyrical section follows based on the “Lacrymosa” text in a slower tempo, leading to the song’s only serene moment: “Pie Jesu Domine.” The “Dies Irae” music returns, and the song ends violently and decisively. The third song, In Paradisum, introduces the harp. The soprano melody is modeled very closely on the Gregorian chant based on this text. A gentle climax occurs on the text “habeas eternam,” and the song slowly winds down to its end, having laid to rest life’s struggles in the eternity of heaven. Duration: 12:30.
$2.25 ≈
2.10€
Three Chorale Preludes for String Orchestra (intermediate and junior orchestra)
Three Chorale Preludes for String Orchestra (intermediate and junior orchestra)
#
String Orchestra
#
INTERMEDIATE
#
David Banney
#
Three Chorale Preludes for Str
#
David Banney
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.878882 Composed by David Banney. Contemporary,Sacred,Standards. Score and parts. 54 pages. David Banney #6502311. P...
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String Orchestra - Level 3 - SKU: A0.878882 Composed by David Banney. Contemporary,Sacred,Standards. Score and parts. 54 pages. David Banney #6502311. Published by David Banney (A0.878882). In these three Chorale Preludes unison melodic parts for younger players are set against more complex contrapuntal parts, suitable for advanced intermediate to precessional players.
$15.99 ≈
14.92€
Jesus Christ is Risen Today -Hymn Concertato - Easter Hymn
Jesus Christ is Risen Today -Hymn Concertato - Easter Hymn
#
Orchestra
#
Sacred music
#
Gregory Hamilton
#
Jesus Christ is Risen Today -H
#
Dr. Gregory Hamilton
#
SheetMusicPlus
Full Orchestra - SKU: A0.772043 Composed by Gregory Hamilton. Christian,Easter,Sacred. Score and parts. 44 pages. Dr. Gregory Hamilton #4351145. Publish...
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Full Orchestra - SKU: A0.772043 Composed by Gregory Hamilton. Christian,Easter,Sacred. Score and parts. 44 pages. Dr. Gregory Hamilton #4351145. Published by Dr. Gregory Hamilton (A0.772043). Jesus Christ is Risen Today -Hymn Concertato - Easter Hymn.This arrangement is scored for full orchestra with organ (and SATB) - all parts are included.Although the arrangement is scored for full orchestra - many other practical instrumentations are possible and the arrangement is flexible. even organ and a few instruments are possible.The choral parts are intended to be easily added - vs. 1 and 2 can be either unison or the standard hymnal harmonization. Vs. 3 and 4 are intended to be sung unison.
$30.00 ≈
27.99€
Missa Solemnis, op. 27 (parts)
Missa Solemnis, op. 27 (parts)
#
Orchestra
#
ADVANCED
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #8...
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Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque” (which would still fit the rhythm of the repeated „qui ex Patre”, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations”, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the King of Kings), „rex caelestis” and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis” gesture at „Gloria in excelsis Deo”, „et ascendit in caelis”, „in remissionem peccatorum” and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est”, a cross-shaped texture at „crucifixus”, and some word-painting (hushed sonorities at „et invisibilium”, anticipations between orchestra and chorus at „et exspecto” etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie” is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria” begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo” has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua”, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria” and „Credo” end with extended, powerful and elaborate fugues („in gloria Dei Patris” and „et vitam venturi saeculi”, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei” end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus”). „Judicare” quotes the beginning of the well-known „Dies irae” plainchant tune, and the Consecration between the „Sanctus” and „Benedictus” sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei”, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi” and „dona nobis pacem”). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison” theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00 ≈
149.25€
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
#
Orchestra
#
ADVANCED
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque” (which would still fit the rhythm of the repeated „qui ex Patre”, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations”, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the King of Kings), „rex caelestis” and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis” gesture at „Gloria in excelsis Deo”, „et ascendit in caelis”, „in remissionem peccatorum” and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est”, a cross-shaped texture at „crucifixus”, and some word-painting (hushed sonorities at „et invisibilium”, anticipations between orchestra and chorus at „et exspecto” etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie” is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria” begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo” has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua”, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria” and „Credo” end with extended, powerful and elaborate fugues („in gloria Dei Patris” and „et vitam venturi saeculi”, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei” end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus”). „Judicare” quotes the beginning of the well-known „Dies irae” plainchant tune, and the Consecration between the „Sanctus” and „Benedictus” sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei”, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi” and „dona nobis pacem”). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison” theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99 ≈
80.21€
Not I, But Christ
Not I, But Christ
#
Orchestra
#
INTERMEDIATE
#
Sacred music
#
Ada Widdington and Michael War
#
Michael Ware
#
Not I, But Christ
#
Michael Ware Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1404747 Composed by Ada Widdington and Michael Ware. Arranged by Michael Ware. Christian,Praise & Worship,Religious,S...
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Full Orchestra - Level 3 - SKU: A0.1404747 Composed by Ada Widdington and Michael Ware. Arranged by Michael Ware. Christian,Praise & Worship,Religious,Sacred,Traditional. 55 pages. Michael Ware Music #987811. Published by Michael Ware Music (A0.1404747). Putting Jesus at the center of our lives is a foundational principal of the Christian faith. This anthem confidently affirms the Lordship of Christ with an inspiring melody that builds steadily from beginning to end. Sections of unison writing for strength of sound are mixed with thicker, warm, harmonic moments creating an anthem that has much to enjoy musically. A fitting setting to a praise-worthy text! Duration: ca. 3:19. This product is the full orchestration. Choral scores are sold separately. SATB SCORE: https://bit.ly/3APZz3k.
$70.00 ≈
65.30€
Gloria! To God Sing Gloria! - Orchestral Score and Parts
Gloria! To God Sing Gloria! - Orchestral Score and Parts
#
Orchestra
#
Sacred music
#
Lloyd Larson
#
Gloria! To God Sing Gloria! -
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
Orchestra - SKU: LX.30-2371L Composed by Lloyd Larson. Sacred Anthem, Christmas. Orchestral Score and Parts. 55 pages. Lorenz Publishing - Digital Sheet...
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Orchestra - SKU: LX.30-2371L Composed by Lloyd Larson. Sacred Anthem, Christmas. Orchestral Score and Parts. 55 pages. Lorenz Publishing - Digital Sheet Music #e30/2371L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2371L). Exciting opening and closing fanfares herald the glad Christmas tidings in this regal carol medley by celebrated composer, Lloyd Larson. Following the opening acclamation, the choir sings in unison the pastoral strains of ??While Shepherds Watched Their Flocks.? Next, ??He Is Born, the Divine Christ Child? increases the joyous celebration. Then, this carol partners with ??Hark! the Herald Angels Sing? as the choral texture builds to the festive closing! In two voicings with optional orchestral accompaniment, this medley is filled with the spirit of Christmas. (From the cantata ??And Glory Shone Around;? SATB ?? 65/1993L, SAB ?? 65/1994L.) Instrumentation: 2 Fl, Ob, 2 Cl, Bsn, 2 Hn, 3 Tpt, 2 Tbn, Tuba, Timp, 2 Perc, Harp, Vln 1 and 2, Vla, Cello, Bass.
$69.95 ≈
65.25€
The Ceremony of Life [SATB Choir & String Orchestra]
The Ceremony of Life [SATB Choir & String Orchestra]
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String Orchestra
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EASY
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Paul Barker Music
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The Ceremony of Life [SATB Cho
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Paul Barker Music
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SheetMusicPlus
Large Ensemble Bass Drum,Cello,Choir,Cymbals,Double Bass,Glockenspiel,Piano,Snare Drum,Timpani,Viola,Violin - Level 2 - SKU: A0.1186298 By Paul Barker M...
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Large Ensemble Bass Drum,Cello,Choir,Cymbals,Double Bass,Glockenspiel,Piano,Snare Drum,Timpani,Viola,Violin - Level 2 - SKU: A0.1186298 By Paul Barker Music. By Paul Barker. 20th Century,Contemporary,Contest,Festival,Patriotic. Score and parts. 28 pages. Paul Barker Music #785954. Published by Paul Barker Music (A0.1186298). The Ceremony of Life is an uplifting and spectacular Choral/Orchestral showcase ideal for Celebrations, Festivals, and Graduations. Memorable melodic lines, rich harmonies, and powerful dynamics make this a stunning concert opener or finale. Piano Accompaniment MP3 available here.Full Orchestral Accompaniment MP3 available here.Also available in the following formats: Choir & Piano: 2-Part/Unison - SSA - TTB – SAB – SATB Choir & Orchestra: SAB/SATB and String/Full Orchestra Orchestral: Brass Ensemble - String Orchestra - Full Orchestra Level: Early Intermediate (UK Grade 5+ and USA 2+) Duration: 2:00 Occasion: Celebrations - Festivals - Graduations Instrumentation: SATB Choir & String Orchestra.
$32.95 ≈
30.74€
The Ceremony of Life [SAB Choir & String Orchestra]
The Ceremony of Life [SAB Choir & String Orchestra]
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String Orchestra
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EASY
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Paul Barker Music
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The Ceremony of Life [SAB Choi
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Paul Barker Music
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SheetMusicPlus
Large Ensemble Bass Drum,Cello,Choir,Cymbals,Double Bass,Glockenspiel,Piano,Snare Drum,Timpani,Viola,Violin - Level 2 - SKU: A0.1186293 By Paul Barker M...
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Large Ensemble Bass Drum,Cello,Choir,Cymbals,Double Bass,Glockenspiel,Piano,Snare Drum,Timpani,Viola,Violin - Level 2 - SKU: A0.1186293 By Paul Barker Music. By Paul Barker. 20th Century,Contemporary,Contest,Festival,Patriotic. Score and parts. 27 pages. Paul Barker Music #785949. Published by Paul Barker Music (A0.1186293). The Ceremony of Life is an uplifting and spectacular Choral/Orchestral showcase ideal for Celebrations, Festivals, and Graduations. Memorable melodic lines, rich harmonies, and powerful dynamics make this a stunning concert opener or finale. Piano Accompaniment MP3 available here.Full Orchestral Accompaniment MP3 available here.Also available in the following formats: Choir & Piano: 2-Part/Unison - SSA - TTB – SAB – SATB Choir & Orchestra: SAB/SATB and String/Full Orchestra Orchestral: Brass Ensemble - String Orchestra - Full Orchestra Level: Early Intermediate (UK Grade 5+ and USA 2+) Duration: 2:00 Occasion: Celebrations - Festivals - Graduations Instrumentation: SAB Choir & String Orchestra.
$32.95 ≈
30.74€
The Ceremony of Life [SATB Choir & Full Orchestra]
The Ceremony of Life [SATB Choir & Full Orchestra]
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String Orchestra
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EASY
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Paul Barker Music
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The Ceremony of Life [SATB Cho
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Paul Barker Music
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SheetMusicPlus
B-Flat Clarinet,B-Flat Trumpet,Bass Clarinet,Bass Drum,Bassoon,Cello,Choir,Cymbals,Double Bass,Flute,Glockenspiel,Horn,Oboe,Piano,Snare Drum,Timpani,Trombone,Tu...
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B-Flat Clarinet,B-Flat Trumpet,Bass Clarinet,Bass Drum,Bassoon,Cello,Choir,Cymbals,Double Bass,Flute,Glockenspiel,Horn,Oboe,Piano,Snare Drum,Timpani,Trombone,Tuba,Viola,Violin - Level 2 - SKU: A0.1186312 By Paul Barker Music. By Paul Barker. 21st Century,Contemporary,Contest,Festival,Patriotic. 37 pages. Paul Barker Music #785968. Published by Paul Barker Music (A0.1186312). The Ceremony of Life is an uplifting and spectacular Choral/Orchestral showcase ideal for Celebrations, Festivals, and Graduations. Memorable melodic lines, rich harmonies, and powerful dynamics make this a stunning concert opener or finale. Piano Accompaniment MP3 available here.Full Orchestral Accompaniment MP3 available here.Also available in the following formats: Choir & Piano: 2-Part/Unison - SSA - TTB – SAB – SATB Choir & Orchestra: SAB/SATB and String/Full Orchestra Orchestral: Brass Ensemble - String Orchestra - Full Orchestra Level: Early Intermediate (UK Grade 5+ and USA 2+) Duration: 2:00 Occasion: Celebrations - Festivals - Graduations Instrumentation: SATB Choir & Full Orchestra.
$32.95 ≈
30.74€
The Ceremony of Life [SAB Choir & Full Orchestra]
The Ceremony of Life [SAB Choir & Full Orchestra]
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String Orchestra
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EASY
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Paul Barker Music
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The Ceremony of Life [SAB Choi
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Paul Barker Music
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SheetMusicPlus
B-Flat Clarinet,B-Flat Trumpet,Bass Clarinet,Bass Drum,Bassoon,Cello,Choir,Cymbals,Double Bass,Flute,Glockenspiel,Horn,Oboe,Piano,Snare Drum,Timpani,Trombone,Tu...
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B-Flat Clarinet,B-Flat Trumpet,Bass Clarinet,Bass Drum,Bassoon,Cello,Choir,Cymbals,Double Bass,Flute,Glockenspiel,Horn,Oboe,Piano,Snare Drum,Timpani,Trombone,Tuba,Viola,Violin - Level 2 - SKU: A0.1186307 By Paul Barker Music. By Paul Barker. 21st Century,Contemporary,Contest,Festival,Patriotic. 36 pages. Paul Barker Music #785963. Published by Paul Barker Music (A0.1186307). The Ceremony of Life is an uplifting and spectacular Choral/Orchestral showcase ideal for Celebrations, Festivals, and Graduations. Memorable melodic lines, rich harmonies, and powerful dynamics make this a stunning concert opener or finale.Piano Accompaniment MP3 available here.Full Orchestral Accompaniment MP3 available here.Also available in the following formats: Choir & Piano: 2-Part/Unison - SSA - TTB – SAB – SATB Choir & Orchestra: SAB/SATB and String/Full Orchestra Orchestral: Brass Ensemble - String Orchestra - Full Orchestra Level: Early Intermediate (UK Grade 5+ and USA 2+) Duration: 2:00 Occasion: Celebrations - Festivals - Graduations Instrumentation: SAB Choir & Full Orchestra.
$32.95 ≈
30.74€
The Little Drummer Boy
The Little Drummer Boy
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Concert band
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INTERMEDIATE
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Christmas
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Gloria Gaynor
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Brendan James Elliget MAGA 537
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The Little Drummer Boy
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1316341 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Brendan James Elliget MA...
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Concert Band - Level 3 - SKU: A0.1316341 By Gloria Gaynor. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Brendan James Elliget MAGA 537. Christmas. 55 pages. BJE Music #905083. Published by BJE Music (A0.1316341). The Little Drummer Boy (originally known as Carol of the Drum) is a popular Christmas song written by American composer Katherine Kennicott Davis in 1941. First recorded in 1951 by the Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since. In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus' mother, Mary, recalling, I played my best for him and He smiled at me.This is an arrangement for the Concert Band and SATB Choir – Would work with Solo or unison voices instead. There is an optional Piano part. There are parts for both Horns in F and Eb, Euphonium in BC and TC, Tubas in C, Eb, and Bb… The MP3 was recorded with NotePerformer 4. Grade = 3 Duration = 2:45 mins.
$49.99 ≈
46.63€
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Choral Unison
